Note: This article was first written for and published by the online Journal of the Lincoln Heights Literary Society in 2003. It’s no longer in the archive there, so I’m reposting it here, with photos from the trip described below. |

Although Edward Frederick (E.F.) Benson wrote over 70 novels as well as a number of biographies, ghost stories, and other works of fiction and non-fiction, he is best remembered today for his six novels chronicling the social squabbles and adventures of two middle-aged ladies, Elizabeth Mapp and Emmeline Lucas (known as “Lucia” to her friends).
Lucia first appears in Queen Lucia (1920) as the autocratic but benevolent ruler of her small social circle in the village of Riseholme, a lady of artistic pretensions who affects to speak Italian when she knows but a few phrases, and plays only the first movement of Beethoven’s Moonlight Sonata because it is the slowest and easiest. Mapp makes her appearance in Miss Mapp (1922) while spying on her neighbors from behind the curtains of her garden-room window. “Anger and the gravest suspicions about everybody had kept her young and on the boil,” Benson introduces her. Like Lucia, Mapp leads her own social circle in the town of Tilling.
The two ladies meet in armed combat for social supremacy in Mapp and Lucia (1931), when the recently widowed Lucia comes to Tilling, and the battle rages through two subsequent novels. Joining Mapp and Lucia in their ongoing war are a collection of delightfully idiosyncratic neighbors: fussy and feminine Georgie Pillson; Mrs. Wyse, who wears her fur coat even on warm days and takes her Rolls Royce into the most narrow and unnavigable streets, and Mr. Wyse, her antiquary husband; gender-bending artist, “Quaint” Irene Coles; blustering Major Benjy; the Reverend Kenneth Bartlett, who affects a Scottish accent even though he is not a Scotsman, and his mousy wife Evie. As a writer of the foibles of the upper classes in England between the two world wars, Benson’s work can be compared to P.G. Wodehouse’s, if Wodehouse had focused more attention Bertie Wooster’s aunts. Like Aunt Agatha’s zeal in stealing a silver cow creamer, the quarrels that arise in Benson’s Mapp and Lucia novels involve trivial objects and circumstances that take on ridiculously exaggerated importance; for example, one of the fiercest battles between the ladies concerns a recipe for lobster a la Riseholme.
Continue reading “Searching for Miss Mapp: Explorations in Rye”