Amicus Studios was generally considered second-best in British horror after Hammer, but this anthology film is just the sort of thing they did so well during the 1960s and ’70s and are best remembered for: The House That Dripped Blood, Dr. Terror’s House of Horrors, and Asylum.
From Beyond the Grave is Amicus’s final horror anthology. It showcases four tales written by R. Chetwynd-Hayes–who is not an author I’m familiar with, so I can’t say how these segments compare to his original short stories.
The framing story features a dusty little antique shop named “Temptations, Ltd.” in an obscure back street in London, run by a mild mannered, equally dusty proprietor (Peter Cushing, playing it in a very understated manner). The premise connecting each story is that the type of customer you are determines your ultimate fate.
Our first visitor to the antique shop is Edward Charlton (David Warner), dressed in the mod style of the late ’60s. He is immediately attracted to an old gilt-framed mirror. The elderly proprietor wants £200 for it as a genuine antique, but Edward questions its authenticity and says he’ll give 25 quid for it. The proprietor accepts this offer without bargaining.
A little later, at a party in his flat, Edward boasts to his friends about how he cheated the old man by making him believe that the mirror was a reproduction. Edward estimates that it’s really about 400 years old.
One of his friends observes that “It looks like it belongs in a medium’s parlor– so let’s have a séance!”
In spite of some qualms by Edward’s girlfriend Pamela, they do. The rest of the party is keen and Edward claims certain mediumistic gifts.
His séance produces interesting results. Blasts of blue flame shoot up from the single candle on the table, and Edward rather incautiously invites whatever spirit he’s contacted to “come in.”
Neither he nor his friends notice that the mirror seems to be fogging over, as if the reflected room on the other side of the glass is filling up with mist.
A man’s face appears.