This is the very first of the Quatermass stories. It aired on the BBC in July and August of 1953 and introduces us to Professor Quatermass and the adventures of his Experimental Rocket Group.
Unfortunately, only the first two episodes of the original series survive. The DVD features a copy of the script so you can see how this version of Nigel Kneale’s story turned out, but I’ve also watched the Hammer film version that was made a couple of years later.
First, the two television episodes.
Episode 1: Contact Has Been Established
The episode begins with a voice-over announcer informing the viewers that the first manned rocket into space was launched from Australia one morning. The crew consisted of three men, whom we’ll hear more about later on. Contact with the rocket was suddenly lost and there’s been nothing but silence for more than 50 hours.
We then go to the control room for the British Experimental Rocket Group in the UK, as they discuss the problem with their Australian base. Everyone looks anxious, but one woman on the team seems more upset than the others. The group’s leader–Bernard Quatermass (played by Reginald Tate), although we won’t get his name for awhile yet–speaks comfortingly to her; their conversation establishes that she is Judith Carroon (Isabel Dean), married to one of the crewmen aboard the rocket, and a valued mathematician on the team. Judith is worried that one her calculations could have caused this malfunction.
Then, to everyone’s relief, they pick up a signal. They aren’t able to contact the crew, but the rocket is heading back towards Earth. Judith does some calculations to project where it’s going… and track where it’s been. The rocket should have gone into orbit, but broke away and apparently took up some long, elliptical path. It’s been much farther from Earth than it should’ve been–halfway to the Moon if Judith’s math is correct. Quatermass regains remote control of the rocket to start its descent. It comes down in the London suburbs, about 10 miles from their headquarters.
There follows a long interval with a black screen and suspenseful music, and the next scene opens within the ruins of what was an old lady’s home near Wimbledom Common with a great big rocket sticking up through it. The couple next door have come to investigate; the wife seems to think that they’re faced with a nuclear warhead and wants to get away as fast as they can, although if she were right I don’t think they could get far enough quickly enough for safety.
The old lady (Katie Johnson from the Ealing comedy, The Ladykillers) is all right, although she’s trapped on what remains of the upper floor with a yowling cat in a wicker carrier. She’s understandably bewildered and believes the Blitz is recurring (“Have they started again?”) A Bobby arrives to rescue both old lady and cat with a tall ladder. Other emergency services people soon gather, as well as the neighbors and reporters eager to interview anybody they can get to talk to them. Among the latter is James Fullalove from the Gazette, who takes this exciting event as a welcome relief from his usual work on things like the Chelsea Flower Show.
By the time the members of the Rocket Group arrive on the scene, the place has taken on an atmosphere of carnival. One of the team, a man named Marsh, sets up radio equipment as close to the rocket as the heat from the exterior will allow and tries once again to contact the men inside. Judith shushes the crowd; she hears someone tapping. “They’re alive!”
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