a.k.a. The Creeping Unknown.
It Creeps. It Crawls. It Kills!
Soon after the BBC version of The Quatermass Experiment had finished airing in the summer of 1953, Hammer film studios obtained rights to make a movie version and started planning. Prior to this point in Hammer’s history, the studio had primarily made comedies and crime dramas; to market their films in the United States, they often used American actors in starring roles.
Hence Brian Donlevy’s being cast to play a very un-British Bernard Quatermass in this particular film. Quatermass’s creator Nigel Kneale did not like this at all.
In compressing the 3-hour BBC series into an 80-minute film, director Val Guest, who co-authored the revised script, also took other liberties with the story. Kneale didn’t like these either, especially the altered ending.
But we’ll get to that part when we come to it.
This film version begins with what would become a horror-movie trope: a couple necking. Not being American teens, they aren’t parked in a car in some Lover’s Lane, but have made themselves comfortable in a haystack on the farm belonging to the girl’s father. A deafening roar like a jet engine interrupts their kissing and they run like hell for the inadequate shelter of the farmhouse.
The next thing you know, there’s a rocket sticking nose-down into the pasture like a giant lawn-dart.
We meet Quatermass and the key members of his Experimental Rocket Group–Judith Carroon, Dr. Gordon Briscoe*, and Marsh–along with a querulous guy from the government office funding them, as they drive up to the crash site together in a VW minibus.
Their conversation covers the basic info from the first episode of the series: the rocket was missing and out of contact for 56 hours. They don’t go into why an American is heading Britain’s space program, but it’s obvious right away that the character of Quatermass has changed in more ways than his nationality can account for. This is a man who goes ahead and does whatever he decides is right and doesn’t listen to anyone else once he makes that decision. He launched his rocket, the QI, before he received final approval because he got tired of waiting for the bureaucrats to make up their minds.
After the exterior of the rocket has cooled down, the hatch is opened and Judith’s husband Victor emerges to collapse once he’s outside. His only, whispered, words are “Help me” before an ambulance takes him away. He reflexively clenches and unclenches one fist.
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