The second batch of best short films presented by the Lovecraft Film Festival. I saw most of these at the NecronomiCon in 2017, but didn’t know which ones would be selected as “best.”
I’m surprised that a couple of those I found most memorable didn’t show up on this DVD–in particular, a modern adaptation of The Picture in the House where a woman living in an apartment building meets her neighbor during a city-wide blackout. For me, the most important criteria for judging horror films (even very short ones), is how they affect me afterwards. Do they stick in my mind long after I’ve seen them? Do they make me reluctant to turn out the lights or leave the closet door ajar?
Anyway, here are the Film Festival’s choices:
There Is No Door
This isn’t one I’ve seen before, but it’s my favorite of this DVD because it features one of my favorite horror themes–the history of the bad place repeats itself over and over again with variations. I can’t connect it to any particular Lovecraft story, but it is unsettling because what happens in the house is never fully explained.
This is the story of a girl named Sam, played by four different actors in different stages of her life as she witnesses inexplicable events in her family home.
In the first scene, Sam is about 9 or 10. Crouched on the stairs, she listens to her Uncle Rob talking to her mother; Mom pleads with him, “You don’t have to do this,” but he insists, “It’s time.”
Uncle Rob, teary-eyed but not answering her questions, speaks briefly to little Sam when he sees her, then disappears when she turns away from him (we just see him duck down as she turns to go upstairs). When Sam asks her mother where Uncle Rob went, Mom doesn’t answer either, but she’s burning a photo of her brother that had been on the living-room mantelpiece; she drops the ashes into a little urn that sits there among the family photos.
Continue reading “H. P. Lovecraft Film Festival: Best of 2017”