Audio Dramas – Page 6 – Kathryn L. Ramage

CD Review: Imprisoned with the Pharaohs

Imprisoned with the Pharaohs (a.k.a. Under the Pyramids) was H.P. Lovecraft’s first collaboration with Harry Houdini; the serialized story was ghost-written for Weird Tales magazine in 1924 as a first-person account of an experience the great escape artist is supposed to have had one night while touring Egypt.

The story is online at http://www.hplovecraft.com/writings/texts/fiction/up.aspx

The Dark Adventure Radio Theatre version is fairly faithful to Houdini’s adventure, but adds some elements that seem to me to improve the story. First, a reason is given for the events that take place. Second, additional characters are introduced to give Houdini someone to interact with.

In the original story, Houdini often refers to “we” and “us” as he describes his travels in Egypt, but it often isn’t clear who is with him on his tour. Is it his wife? Other tourists in their party? Some Egyptian guys? Here, “we” is primarily Bess Houdini, Harry’s wife, voiced by Leslie Baldwin and given a distinct voice of her own. The Houdini’s relationship and interactions are some of the best parts at the beginning of this audio play–Bess’s practicality balances Harry’s impetuous and thrill-seeking nature, yet they are both at heart show-biz people.

The other new character is an HPLHS creation who shows up in a lot of these Dark Adventure Radio Theatre adaptations, and whom I’m always happy to see more of: Miskatonic University professor of archaeology, Nathaniel Ward (Andrew Leman).

The audio drama begins at the American Cosmograph Theater in Cairo. We’re presented with brief snippets that give us a medley of the kind of thing you’d get in pre-WWI Vaudeville: song and dance acts, trained dogs, jugglers, comedians, a ventriloquist, a hypnotist, and finally the big draw of the night–The Great Houdini!

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CD Review: Dagon: War of the Worlds

This episode of Dark Adventure Radio Theatre concludes with announcer Eskine Blackwell’s words:

“If we’ve taken more liberties with our story than usual, we hope that you and Mr. Lovecraft will forgive us. We thought it would be fun.”

Yes, dammit, that was fun! A lot of fun.

It’s not simply an adaptation of HP Lovecraft’s short story Dagon; it’s also a sequel to Shadow over Innsmouth, as well as fanfic from the guys at the H.P Lovecraft Historical Society using their own characters, and an homage to Orson Welles’ famous Halloween 1939 radio broadcast that panicked the country.

It’s October 1935, and this week’s Dark Adventure Radio Theatre begins as usual. But after an introductory word from the sponsor, the invigorating beverage Bub-L-Pep (“The L is for Lithium!”), the show is interrupted by a news bulletin: A ferry crossing the San Francisco Bay has sent out distress calls and the Coast Guard is rushing to its aid.

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CD Review: Return to Collinwood

I’m not done with Dark Shadows yet. An extra feature on one of the final DVDs for the television series, after the last episodes, was about an audio play written by Jamison Selby, David Selby’s son; it was performed by some of the show’s actors at fan conventions in the early 2000s, then they went into a studio and recorded it.

I checked for it on Amazon. Still available!

The story is on 2 discs. Some of the actors play their old, familiar characters again. Nancy Barrett is Carolyn Stoddard, now owner of Collinwood since her mother Elizabeth has passed on. David Selby is Quentin Collins, 140 years old, but he puts gray streaks in his hair to look like a well-preserved 50ish. Kathryn Leigh Scott is back as Maggie Evans. John Karlen is still Willie Loomis, living at the old Collins house.

I like that Jamison Selby has followed some of the projections for these characters provided by the show’s writer Sam Hall. Carolyn has been working for years as Head of Psychical Research at the University of Maine (sadly, not Miskatonic U). Maggie was married to Joe Haskell and has been widowed for about 1o years. Maggie now works at the nearby Windcliff sanitarium, where another old boyfriend, Sebastian Shaw (Christopher Pennock) is currently a catatonic patient. She and Quentin are an item again, and she meets him at the train station when he returns from a trip to Peru; he’s been traveling all around the world since 1970, and has most recently tried unsuccessfully to locate the long-missing David Collins. David Collins went away after a quarrel with his father Roger and hasn’t been heard from since.

Other actors from the show are present as new characters. Roger Davis, who played Peter Bradford/Jeff Clark, is Ned Stuart, Carolyn’s husband. They’ve been married about a year prior the events of the audio play. Donna Wandrey, who was Roxanne Drew, is the dour Collinwood housekeeper, Mrs. Franklin. Marie Wallace, who played Evil Eve and Mad Jenny, is the not-at-all evil and entirely sensible Jessica Loomis, Willie’s wife.

The Loomises are hoping to stay on at the old house now that Carolyn is in charge. Willie has been renovating the place, putting in electricity and plumbing, as well as a big-screen TV. He’s in the process of installing a hot tub when he discovers a mysterious package hidden within the wall–a package addressed to him.

The surviving Collins family has been summoned to Collinwood for the reading of Elizabeth Collins Stoddard’s will and to try contact her spirit at a specific date and time, since she expressed a desire to speak to them all one last time. The only actual Collinses to make it are Carolyn and Quentin. David wasn’t found. Roger predeceased his sister, and who knows where Barnabas is?

To contact Elizabeth, they’re going to hold a seance. You know that the Collinses love their seances even more than I do and will leap on any old excuse to have one.

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CD Review: Dreams in the Witch House

Brown Jenkin has always creeped me out more than any of the betentacled, rugose, crinoid, or even squamose eldritch monstrosities that feature in Lovecraft’s other stories. It’s not Brown Jenkin’s rattiness that disturbs me, but his little human face and tiny human hands and feet, and his nasty way of chittering. Not to mention the gruesome death of the protagonist at the end of this story.

The first time I played this CD, it was during an evening hour with the light slowly fading as the sun went down. The Calico Horrors Part 2 and 3 were having one of their wrestling matches, so the sounds of squeaks and soft, furry thumps in the shadowy recesses beneath the living- room furniture, plus the occasional skitter of little claws on the floorboards augmented my listening experience of this audio drama about a malignant, mathematical witch and her rat-like familiar.

The Lovecraft story is online at http://www.hplovecraft.com/writings/texts/fiction/dwh.aspx.

The Dark Adventure Radio Theatre’s version of Dreams in the Witch House is narrated from the point of view of a character who barely features in Lovecraft’s tale, a young man named Frank Elwood (Sean Branney). He’s the only other Miskatonic University student who has a room in the same ancient Arkham house as the hapless Walter Gilman (Andrew Leman); the other inhabitants of the house are all immigrants, mostly Poles. After the horrific events of the original story have concluded, Elwood goes to see a priest–not for confession, but for guidance and some spiritual comfort in light of the terrifying things he’s witnessed. He tells Father Ivanicki about his friendship with Gilman, beginning with the day of their meeting and ending with Gilman’s ugly death.

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CD Review: The Case of Charles Dexter Ward

“From a private hospital for the insane near Providence, Rhode Island, there recently disappeared an exceedingly singular person. He bore the name of Charles Dexter Ward and was placed under restraint most reluctantly by the grieving father who had watched his aberration grow from a mere eccentricity to a dark mania involving both a possibility of murderous tendencies and a profound and peculiar change in the apparent contents of his mind. Doctors confessed themselves quite baffled by his case, since it presented oddities of a general physiological as well as psychological character.”

The Case of Charles Dexter Ward
H.P. Lovecraft

When I began to prepare for writing this review, I was surprised to discover that I don’t actually have a copy of The Case of Charles Dexter Ward in any of the Lovecraft anthologies on my shelves. It’s been a long time since I read it, and had to hunt it up online to refresh my memory.

There are at least two rather loose film adaptations of this story–two that I’ve seen, anyway:

The Resurrected/Shatterbrain, starring Chris Saradon and John Terry, which places events in a modern-day film-noirish setting with stop-animation monsters.
The Poe’d-up Haunted Palace, starring Vincent Price and Debra Paget in a Victorian gothic version with putty-faced mutants roaming the misty streets of Arkham.

In both films, Ward is a much more mature man than the character in Lovecraft’s tale.

The novella, written in 1927 but not published until after Lovecraft’s death, presents a case study of a young man in his teens and early twenties, currently in an asylum.

Charles Dexter Ward’s descent into madness is said to have begun with his interest in a distant ancestor, one Joseph Curwen, who dabbled in alchemy and necromancy.

Charles identified strongly with Curwen, whom he resembled closely. As his obsession increased, his own studies into the occult deepened. He repeated Curwen’s experiments and, after coming of age, he took up with mysterious companions who aided him in his secret work. His youthful appearance changed to that of an older man; his style of speech became more archaic, his handwriting changed too, and his knowledge of the modern world vanished while he seemed more in touch with 18th-century New England.

After The Thing on the Doorstep and The Shadow out of Time, you might be thinking that this is another Lovecraft story about body-swapping and that Charles has been possessed by the spirit of Curwen… but that’s not what happens this time.

The story is online at http://www.dagonbytes.com/thelibrary/lovecraft/thecaseofcharlesdexterward.htm

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CD Review: The Thing on the Doorstep

The latest thrilling episode of Dark Adventure Radio Theatre from the H.P. Lovecraft Historical Society just arrived in the mail this past week. It’s The Thing on the Doorstep, a Lovecraft short story of a peculiar marriage between two students of the occult that involves possession and leads to a contest of wills. A visit from a grotesque and stunted creature in a trenchcoat brings horrifying news about which one triumphed in the end.

There aren’t that many women characters of note in Lovecraft’s works: Lavinia Whately in The Dunwich Horror, poor Mrs. Gardner in The Colour Out of Space, the witch Keziah Mason in Dreams in the Witch House, and the villain of our current piece, Asenath Waite–although I’m not sure this last one actually counts.

Asenath was the daughter of the reputed wizard Ephraim Waite, who died babbling in an asylum, and an unseen mother, one of those fishy Innsmouth people. She was also a formidable scholar of arcane knowledge herself, a powerful hypnotist even in her schoolgirl days, and a leading figure among the decadent set at Miskatonic University in the late 1920s.

Asenath’s marriage to Edward Pickman Derby came as great surprise to friends of both. The two seemed a strangely mismatched pair. Edward was more than 15 years older than Asenath, but boyish even at 40; Asenath appeared the elder while still in her early 20s. Edward was a former child prodigy, a writer of fantasy poetry, dabbler in occult practices, but overprotected by his parents, weak-willed, and unprepared to manage life as an adult alone. His wife, with her greater powers of concentration, dominated him from the very beginning and brought him deeper into the dark arts than he wished to go.

Strangest of all, the two sometimes seemed to switch places, with Edward showing a surprising new and forceful personality as he drove off on mysterious errands for days at a time while Asenath was glimpsed by neighbors sitting forlornly at home.

The text of the H.P. Lovecraft’s short story is online at http://www.hplovecraft.com/writings/texts/fiction/td.aspx.
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CD Review: The Colour out of Space

The Colour out of Space is closer to science fiction than horror than most of H.P. Lovecraft’s work, although it certainly has its horrifying aspects. This 1927 short story considers what lies out there in the vastness of space, unknown and incomprehensible to humanity; like the narrator, one may feel “an odd timidity about the deep skyey voids above” by the end of it.

The story begins with a meteorite that crashes on the Massachusetts farm of Nahum Gardner in 1882.

Scientists from nearby Miskatonic University come out to examine it, and discover an object too soft to be metal but possessed of peculiar properties. Not that they have much time for testing. The meteorite shrinks rapidly and, after several lightning strikes during a storm, disappears completely.

Yet something remains behind. That autumn’s crops grow extravagantly large and glossy, tinted with an indefinable color that reminds everyone of the fragile globule found inside the meteorite–but all the fruit is inedible. The next year, the plants grow stunted and brittle. Tree branches seem to move even when there’s no wind. Wild animals near the farm behave strangely and appear to be subtly deformed. The livestock that isn’t able to flee becomes ill and starts to shrivel, turning grey and brittle like the plants. The whole farmyard glows faintly at night. And although the water from the well is obviously contaminated, the Gardner family continues to drink it.

At first glance, this could be an early story about the effects of exposure to radiation; this being Lovecraft, however, there’s more going on than a mere environmental hazard. An active and conscious entity has taken up residence in the farm well and is draining the life out of everything organic in the vicinity.

The text is online at http://www.dagonbytes.com/thelibrary/lovecraft/thecolouroutofspace.htm.

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CD Review: The Shadow out of Time

In 1908, a Miskatonic University political economics professor named Nathaniel Peaslee collapsed while giving a lecture to his class. When he regained consciousness, he had no memory of who he was, was badly coordinated, wore an odd expression, and spoke in a stilted, archaic style as if English were an unfamiliar language. His wife and children, convinced that this wasn’t Nathaniel at all, were horrified and had nothing further to do with him.

In his new personality, Peaslee pursued a very different sort of life, absorbing knowledge on a variety of subjects from the abstruse to the childishly simple. He made mysterious trips all over the world–Arabian deserts, the Himalayas, the Arctic–and contacted several occult leaders during his travels.

Then, in 1913, he built a small, strange machine in his Arkham home. An anonymous phone call requested that a doctor come to tend to him; when the doctor arrived, Peaslee was unconscious and woke slowly, speaking words from the lecture he’d been giving in 1908. The original personality had returned, with no memory of what he’d been doing for the last 5 years.
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CD Review: At the Mountains of Madness

I’ve been meaning to go on with reviewing the Dark Adventure Radio Theatre dramas produced by the H.P. Lovecraft Historical Society. I’ve had the boxed CD set for years, but time passed and other things got in the way… until I was doing a Matt Foyer-fest this past weekend and included A Shadow over Innsmouth; I realized it’d been awhile since I’d listened to any of the others, some of which Foyer also has smaller roles in.

At the Mountains of Madness is one of Lovecraft’s larger stories in length as well as scope. We’re no longer in the narrow streets of witch-haunted Puritan towns crowded with gambrel-peaked roofs, nor in the claustrophobic New England hills with their own ancient legends. This story is set in the vast, frozen wastes of the Antarctic. It’s about a team of explorers who discover what appear to be remarkably well-preserved specimens of an early but sophisticated form of life that lived on Antarctica millions of years before it was covered in ice. But in spite of their great age, these Elder Beings aren’t quite dead yet. In fact, they’re feeling much better.

It’s a story filled with adventure–dogsleds and aeroplanes, wind storms, monstrously high mountains, a lost city, giant penguins, and a thrilling chase scene with one of the usual Lovecraftian nightmare creatures. There’s been a recent attempt at a film version, but it seems to be lost in production limbo.

The story is available online at http://www.dagonbytes.com/thelibrary/lovecraft/mountainsofmaddness.htm.

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CD Review: The Dunwich Horror

The Dunwich Horror appears to be the first of the 1930s-style radio plays on CD produced by the H. P. Lovecraft Historical Society (HPLHS). I was sorry to see that Matt Foyer isn’t in this one—I’ve begun to be a fan of his.

H.P. Lovecraft’s The Dunwich Horror is the story of a decayed and nearly forgotten rural Massachusetts farm community and the curious events that occur there in the early part of the 20th century, culminating in the Horror in 1928. The family at the focus of these events are the Whateleys: the old man, “Wizard” Whateley, who practices strange rituals at the ancient stone circle on the hill near his farm; his albino daughter Lavinia, who somehow gives birth to a son with no apparent father (old Whateley has some things to say about Lavinia’s husband, but who pays attention to his lunatic ravings?); and Lavinia’s very peculiar son Wilbur.

Wilbur’s remarkable growth and premature maturity is probably the least weird thing about him. Something else seems to inhabit the Whateley home besides these three persons; the neighbors don’t see it, but they do hear strange sounds, smell odd smells, and make note of the anemic cows that old Whateley has to replace so frequently. It’s only after the old man and Lavinia have gone and Wilbur tries to beg, borrow, or steal an intact edition of the Necromonicon from the Miskatonic University library to replace his grandfather’s tattered and fragmentary copy that the Horror begins to unfold.
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