I’ve been meaning to go on with reviewing the Dark Adventure Radio Theatre dramas produced by the H.P. Lovecraft Historical Society. I’ve had the boxed CD set for years, but time passed and other things got in the way… until I was doing a Matt Foyer-fest this past weekend and included A Shadow over Innsmouth; I realized it’d been awhile since I’d listened to any of the others, some of which Foyer also has smaller roles in.
At the Mountains of Madness is one of Lovecraft’s larger stories in length as well as scope. We’re no longer in the narrow streets of witch-haunted Puritan towns crowded with gambrel-peaked roofs, nor in the claustrophobic New England hills with their own ancient legends. This story is set in the vast, frozen wastes of the Antarctic. It’s about a team of explorers who discover what appear to be remarkably well-preserved specimens of an early but sophisticated form of life that lived on Antarctica millions of years before it was covered in ice. But in spite of their great age, these Elder Beings aren’t quite dead yet. In fact, they’re feeling much better.
It’s a story filled with adventure–dogsleds and aeroplanes, wind storms, monstrously high mountains, a lost city, giant penguins, and a thrilling chase scene with one of the usual Lovecraftian nightmare creatures. There’s been a recent attempt at a film version, but it seems to be lost in production limbo.
The story is available online at http://www.dagonbytes.com/thelibrary/lovecraft/mountainsofmaddness.htm.
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The Dunwich Horror appears to be the first of the 1930s-style radio plays on CD produced by the H. P. Lovecraft Historical Society (HPLHS). I was sorry to see that Matt Foyer isn’t in this one—I’ve begun to be a fan of his.
H.P. Lovecraft’s The Dunwich Horror is the story of a decayed and nearly forgotten rural Massachusetts farm community and the curious events that occur there in the early part of the 20th century, culminating in the Horror in 1928. The family at the focus of these events are the Whateleys: the old man, “Wizard” Whateley, who practices strange rituals at the ancient stone circle on the hill near his farm; his albino daughter Lavinia, who somehow gives birth to a son with no apparent father (old Whateley has some things to say about Lavinia’s husband, but who pays attention to his lunatic ravings?); and Lavinia’s very peculiar son Wilbur.
Wilbur’s remarkable growth and premature maturity is probably the least weird thing about him. Something else seems to inhabit the Whateley home besides these three persons; the neighbors don’t see it, but they do hear strange sounds, smell odd smells, and make note of the anemic cows that old Whateley has to replace so frequently. It’s only after the old man and Lavinia have gone and Wilbur tries to beg, borrow, or steal an intact edition of the Necromonicon from the Miskatonic University library to replace his grandfather’s tattered and fragmentary copy that the Horror begins to unfold.
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When I purchased Whisperer in the Darkness from the HP Lovecraft Historical Society (HPLHS), I also bought a set of their radio plays on CD, charmingly boxed in a cardboard recreation of an old-fashioned, gothic-style radio cabinet. These plays are performed for The Dark Adventure Radio Theatre–the conceit being that these are episodes from a 1930s radio series, complete with an opening announcer and a sponsor, Fleur-de-Lis cigarettes.
The first one I listened to was The Shadow over Innsmouth, Lovecraft’s story of a young man from Ohio who takes an historical and genealogical tour of New England, including a visit to the decayed port town of Innsmouth. Once he starts poking around and talking to a crazy, drunken old man who knows all about the town’s history, he draws the ire of the rather fishy-looking inhabitants of Innsmouth and his brief visit ends in terrifying events that will change his life.
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