Dark Shadows: The Rage Beneath

This audio drama begins with Maggie Evans speaking, “I remember when it all started. Quentin Collins… came home, and brought the darkness with him.”

Her voice is interspersed with those of other characters–Quentin’s, Angelique’s–but the focus of the story’s introduction remains with Maggie as she summarizes the events of  previous audio-plays in the Legend Reborn series, alluding to the “The Lost,” “Charlotte Howells,” and “the Professor and his army” (which settles my question of when the Christmas Presence occurs).

“But the day I’ll always remember,” Maggie concludes, “is the day the Collins family perished.”

She isn’t referring to the Collinses who disappeared mysteriously before this series began, but to those two who are still around: Quentin and Barnabas.

The Rage Beneath Continue reading “Dark Shadows: The Rage Beneath”

Dark Shadows: The Christmas Presence

“Quentin Collins cordially invites you to spend Christmas in his company. On behalf of all those present here at Collinwood… I bid you welcome.”

It’s not the listeners of this audioplay Quentin extends this invitation to in his opening monologue–although, of course, we can feel free to drop in at Collinwood for the holidays too. The people he’s reaching out to, through means both commonplace and esoteric, are “those loyal to the Collins family” in Collinsport as well as “the missing members of our family” in hopes that they might be “reunited in the coming days.”

Christmas Presence

Quentin’s feeling sentimental as he plans an old-fashioned Christmas celebration, and the other inhabitants of Collinwood try to get into the holiday spirit to go along with him. Maggie Evans has come to cook the dinner and tries to get Barnabas (now voiced by Andrew Collins) to kiss her under the mistletoe. But even though he’s in a new body, Barnabas is still a vampire, and vampires don’t kiss; they just give hickeys. Angelique decorates a Christmas tree, and amuses herself with taunting Willie Loomis about how the townsfolk will come to blame him for the disappearance of their children.

A number of Collinsport children have been taken from their homes, from “under their parents’ noses” recently, but their abductor isn’t Willie, nor any mortal man. A scene at the beginning of this drama reveals one child’s abduction after his grandmother leaves him tucked up in bed in his room. Someone who says that he “could be” Santa appears and converses with the little boy, asks him what he wants. When the boy realizes that this isn’t Santa, it reveals its true self. The next thing you know, the child has joined this creature’s choir of voices.

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CD Review: Rats in the Walls

Exham Priory: 1261 -1923“Our host spun quite a ghost story. M.R. James couldn’t do better.”

The Rats in the Walls is my favorite HP Lovecraft story. It’s a wonderful, deeply disturbing tale of a wealthy American named Delapore who restores his ancestral home in England. The sound of spectral rats (which only he and his pet cats can hear) lead him to an ancient stone altar in the sub-cellar of the old priory and a tunnel hidden beneath it; there, he discovers not only the secret that led his ancestor to flee Exham Priory in the early 1600s, but remnants of unspeakable horrors perpetrated by a cult that went on for millennia on that same site, a cult in which his family were only the most recent members.

What I like most about this story isn’t the trappings of old-fashioned gothic horror implicit in the ruins of the priory, nor the eons-old cannibal cult–though both certainly have their charms. It’s that it plays upon the same theme as the Nigel Kneale stories I most enjoy, Quatermass and the Pit, and The Stone Tape: the history of the Bad Place goes back and back through centuries to the earliest days of humanity… and perhaps long before that.

The only thing that mars it for a modern reader is the extremely unfortunate, casually racist name of the narrator’s favorite black cat, who has an important part to play in the story.

You can read it online at http://www.hplovecraft.com/writings/texts/fiction/rw.aspx

When I first heard that the latest Dark Adventure Radio Theatre was to be an adaptation of Rats in the Walls, I was delighted, but I wondered how they would handle the cat’s name. When I attended a live, dramatic reading of this same story last summer in Providence, the reader renamed the cat Blackie, and I was perfectly happy with that.

Long before the cat comes into this adaptation, we’re given a sort of meta-textual reassurance about how this element of the story will be handled. This episode begins with a prologue set during the American Civil War. Yankee soldiers are about to seize and burn down Carfax, the Virginia plantation belonging to “Big Daddy” Delapore, a bed-ridden old man. The about-to-be-freed slave-woman who is with him tells him that she’s not going hear that word from him again and makes him say “Please” before she bring him the lock-box containing papers concerning the Delapore family secret.  The old man intends to give the box to his grandson, 7-year-old Matthew, for safe keeping, but the mansion is on fire; the little boy escapes with his Yankee-born mother, but the old man is trapped within the flames and the contents of the box are destroyed with him.

A second prologue jumps suddenly to World War I, where a young American airman, Alfred Delapore, Matthew’s son, is telling this story about the plantation to his British friend and fellow aviator, Edward Norrys (Kevin Stidham, doing an adorable Mancunian accent).

Alfred says that the family secret–the reason why their remote ancestor Walter de la Poer fled England for the American colonies in the wake of a mysterious tragedy at Exham Priory after the rest of his family was killed–was lost forever in the fire and neither he nor his father knows anything about it. But Norrys can tell them quite a lot about the de la Poers; his family was given the abandoned estate by James I, and his uncle is currently the owner of Exham Priory, which has fallen into ruins and is shunned even into the 20th century by the local folk. Uncle has no use for the place and might be willing to sell it.

James I grants Exham Priory to the Norrys familyAlfred is keen to write to his father back in the States, but just then the two young pilots are summoned by their commander to go fly a mission. Continue reading “CD Review: Rats in the Walls”

Audio Review: The Facts in the Case of M. Valdemar

The H.P. Lovecraft Historical Society’s Dark Adventure Radio Theatre does a story by Edgar Allan Poe for a change. This audio drama is not on CD, but offered as a free downloadable MP3 file along with the “cover” art and a PDF of the liner notes.

From these liner notes, I learned that when this story was published in 1845, it was viewed as a real medical case:

“… perhaps because it has the word “Facts” in its title — it was taken as a piece of non-fiction. Many people believed “The Facts in the Case of M. Valdemar” was a true account of the disturbing power of mesmerism. Poe enjoyed the confusion for a while, but eventually confessed in various letters that it was pure fiction.”*

The Facts in the Case of M. ValdemarThe Facts in the Case of M. Valdemar is a story in which mesmerism is used to “stave off” death and “the boundaries of science and medicine journey to an unthinkable extreme.”

You can read Poe’s original story online at https://poestories.com/read/facts.

The audio play starts with a broadcast baseball game between the NY Yankees and  Detroit Tigers being called on account of rain in the middle of the third inning, leaving an unprepared local radio station scrambling for something else to fill in the air time. What they end up with is a special, “abbreviated” episode of Dark Adventure that’s about half an hour long.

Dr. Michael Quinlan (Sean Branney) from an unnamed medical facility has agreed to an interview to deliver the truth about this strange case, which the public has heard many so wild rumors about recently. He promises all the “disturbing details”—and, boy, does he deliver! His story unfolds mostly in flashback, with the occasional question or comment from the radio interviewer.

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Dark Shadows: The Book of Temptation

This Dark Shadows audio drama on CD picks up where The House of Despair leaves off: Quentin Collins has returned to Collinsport to find his family home haunted and abandoned, and his family mysteriously gone; he’s summoned up Angelique, who in turn has resurrected Barnabas Collins in a new body (to match his new voice).

The Book of TemptationsWhile this long-lived and supernatural trio are up at Collinwood trying to figure out what happened to the rest of the Collinses, Maggie Evans, now proprietor of the Collinsport Inn, looks after  traumatized Willie Loomis.

Willie had a rough time up at Collinwood due to his own part in driving out the evil entity that occupied the house. For one reason or another, it became necessary for the newly restored Barnabas to bite him again, so Willie’s back where he was as far as playing Renfield.

Not that Maggie knows this. She’s forgotten that she ever knew Barnabas was a vampire,  and certainly doesn’t know that he’s alive again.

Willie has said something to the effect that “he wants me back” at Collinwood. Maggie assumes that “he” refers to Quentin and heads up to the house to find out what happened to Willie there and why he wakes up screaming.

At the house, she meets the new Barnabas, who introduces himself–not as the Barnabas she used to know, you understand, but another member of the Collins family with that  same name who’s come to help Quentin. He doesn’t claim to be a relative from England, but he sounds more British than Johnathan Frid did.

While she’s at Collinwood, Maggie is lured into a room in the servants’ quarters by a whispered woman’s voice.  She thinks it’s Angelique, whom she met as an “associate” of  Quentin’s when she first came in, and who was jealously catty to her because of that Barnabas / Josette thing two whole centuries ago.

Maggie discovers an old journal written by a maid named Charlotte Howell and reads the opening passages, which are dated April 16, 1926.  Charlotte writes that the Collinses have made her work hard but they’ve been kind to her, more kind than her previous employers. But they have a weird habit of locking the servants up in their rooms every night. There’s a touch of romance concerning a young man Charlotte met at the Blue Whale.

It doesn’t sound like much, but this is where the trouble for Maggie really begins, for this journal is the Book of Temptation mentioned in the audio-play’s title. Once you start reading it, you can’t stop.

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Dark Shadows: House of Despair

I hadn’t realized when I bought this Dark Shadows audio drama on CD that parts of it would already be known to me. When I listened to it for the first time, familiar phrases jumped out:

“My name is Quentin Collins. I come from an old family–and old families have long-held secrets…”

“I’d forgotten what a strange town this is…”

“…poor people, barely people at all. They seem empty.”

I’d heard these lines spoken multiple times in an ad that appears at the very end of each of the Dark Shadows: The Beginning DVDs, long before I’d seen Quentin Collins on the show or grew to recognize Angelique’s evil laugh. Intriguing as the ad might be, however, these phrases  never really gave me an idea of what the story behind them was about.

The House of DespairThe House of Despair takes place a few years after the end of the series–how many years, I’m not certain. Quentin Collins (David Selby) returns home from his world travels. Even before he gets there, the conductor on the train has some information for this passenger with a ticket to Collinsport. It’s a place with a reputation. “Bad things happen” there; “murder and sin are all they know”. The “Collins family is the scourge of Maine” [Quentin agrees, aware that the conductor doesn’t know who he is]. And, just as they arrive at the station, there’s this last piece of ominous advice:

“Once you leave this train, you won’t have a chance. It will be dark by then.”

A lesser man might be daunted, but Quentin has lived over a century and seen plenty of weird and horrible things going on in his hometown. He gets off the train, and soon finds  that the town is worse than ever. Collinsport has almost literally become a ghost town.

Few people remain in town since the cannery closed, and many of those who still live there are in a dazed state.  They’re called The Lost, since they go about wandering the streets at night as if they’re looking for something. They don’t even seem to remember who they are. Flocks of strangely behaving seagulls also menace the town. Townsfolk who are not afflicted lock their doors and stay in after nightfall.

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CD Review: The Haunter of the Dark

Robert Bloch was a teenager when he wrote a fan letter to author H.P. Lovecraft in the 1930s. It was the beginning of a friendship-in-correspondence that lasted through the rest of Lovecraft’s life and launched Bloch on his own writing career.

This friendship also led Lovecraft to dedicate his last complete short story, The Haunter of the Dark, to Bloch, in response to a story young Bloch wrote about someone rather like him; the protagonist is named after Bloch, with his last name anglicized to Blake.

The Haunter of the Dark, set in Lovecraft’s own home town of Providence, Rhode Island, features a writer and painter of the macabre from the Midwest who is drawn to explore an ominous-looking, abandoned church on Federal Hill. Inside the church, Robert Blake discovers evidence of a cult that practiced occult ceremonies there in the late 18o0s, including a strangely angled, shining stone in a metal box. Gazing into this stone, he inadvertently rouses something that had been quiescent since the cult was driven out of the church by local Italian immigrants, something that can’t bear light and can only move in darkness, something that now turns its attention to him. It ends for Blake as badly as these things usually do for Lovecraft’s hapless heroes.

The story is online at http://www.hplovecraft.com/writings/texts/fiction/hd.aspx

This is one of my favorite Lovecraft stories because of its setting among real places in Providence, especially the vivid descriptions of the old church:

Newspaper article about riots over the church“It stood out with especial distinctness at certain hours of the day, and at sunset the great tower and tapering steeple loomed blackly against the flaming sky. It seemed to rest on especially high ground; for the grimy facade, and the obliquely seen north side with sloping roof and the tops of great pointed windows, rose boldly above the tangle of surrounding ridgepoles and chimney-pots. Peculiarly grim and austere, it appeared to be built of stone, stained and weathered with the smoke and storms of a century and more. The style, so far as the glass could shew, was that earliest experimental form of Gothic revival which preceded the stately Upjohn period and held over some of the outlines and proportions of the Georgian age. Perhaps it was reared around 1810 or 1815.”

Sadly, the real church that this was based upon and the old-fashioned, gabled houses and  crowded back-streets of Federal Hill that Lovecraft described are no longer there. (At least the Shunned House still stands and I’m looking forward to seeing it in the near future.)

The latest Dark Adventure Radio Theatre program from the HP Lovecraft Historical Society is based on The Haunter of the Dark, but adds new characters and elaborates on Blake’s exploration of the church and local history to create a slightly different story.

In Lovecraft’s original tale, Robert Blake is already settled in Providence when his adventure begins. He’s been curious for months about the dark and distant facade of the church he sees from the windows of his study on the other side of town near Brown University’s Hay Library.

The Dark Adventure Radio Theatre adaptation has aspiring writer Blake just arriving from Milwaukee to see famous author Philip Raymond, “a master of weird fiction” who has agreed to tutor Blake “in the art of crafting strange tales” (Philip loves his craft, you might even say).

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CD Review: Brotherhood of the Beast

This H.P. Lovecraft Historical Society episode of Dark Adventure Radio Theatre is a whopping 3-disc adventure, not adapted from any one story of Lovecraft’s, but alluding to several of them and featuring characters created by Andrew Leman, Sean Branney, and friends back in their gaming days. The plot is based on the Chaosium Call of Cthulhu® role-playing game, “The Fungi from Yuggoth.” Chaosium is now a Dark Adventure Radio Theatre sponsor like Fleur-de-Lys cigarettes and the mood-enhancing softdrink Bub-L-Pep, with its very own 1930s-style radio ad at the opening of the show.

The story begins in Boston with the murders of three children. Because of the strange nature of these deaths, Nathaniel Ward (Leman) has been consulted by the city police. He’s just the sort of man you turn to when there’s weird stuff going on.

Since his old friend, millionaire playboy adventurer Charlie Tower (Branney), is in town, Nate phones and asks Charlie to help out.

Charlie brings along his latest girlfriend, a fast-talking brassy dame named Jenny Alexander (voiced by Sarah Van der Pol. I picture Jenny as something like a pre-Code Barbara Stanwyck).

Charlie Tower with a girlfriend who doesn't look anything like Barbara Stanwyck

Nate, Charlie, and Jenny visit the police station, where they view the bodies–the wounds on which resemble those seen on cattle in the small and remote Massachusetts town of Dunwich a few years earlier–and review the information the police have gathered. It’s Jenny who observes a pattern to the crimes: At the center of the area where the children were attacked is a neglected old mansion, once belonging to a Dr. Cornwallis and his wife–both died years ago in a scandalous murder/suicide.

Digging into old newspaper articles reveals a little more of that story: Mrs. Cornwallis stabbed her husband and was shot by him in 1891, about a month after the birth of their stillborn son. The doctor’s grave was later desecrated by someone who believed him to be a warlock.

This doesn’t tell the trio much, but it’s intriguing enough to send them over to the Cornwallis house to have a look around.

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Dark Shadows: Curse of the Pharaoh

Last week, I went shopping on Amazon to see how many other Dark Shadows audio dramas were available, following Return to Collinwood. Quite a lot of them, as it turns out. They come in two types: 1. Audio plays performed like old-fashioned radio programs with a cast of actors from the original show in their old roles or new ones; 2. Dramatic readings of Dark-Shadows-based stories done by one, maybe two, of the actors. I picked out one of each.

Curse of the Pharaoh is a dramatic reading, done by Nancy Barrett, who played Carolyn Stoddard, and Marie Wallace, who played Evil Eve and Mad Jenny.

Why this one? From the description on the back of the CD box:

Curse of the Pharaoh“Finding Nefarin-Ka’s tomb was only the beginning… I made the most important discovery in archeological history.”

Dr. Gretchen Warwick, famed Egyptologist … comes to Collin- wood, searching for the answers to life in the hereafter.  At first, Carolyn cannot comprehend why an expert in ancient, mystical lore would desire her help, but to her horror, discovers that she is indeed the key to a dark, dangerous world on the other side of death….

In my review of the final episodes of Dark Shadows, I mentioned a feature on the last DVD where one of the show’s writers foretold a future for Carolyn in occult research; I said I would love to watch a spin-off series based on that premise. Although this story doesn’t follow that idea exactly, it seemed to be along similar lines. Also, I’d just listened to the Dark Adventure Radio Theatre play Imprisoned with the Pharaohs to prepare for writing that review, and I thought I’d like to hear another story about an evil ancient Egyptian ruler with a cult that survives into modern times. As it turns out, the story does have its own Lovecraftian overtones.

It was amusing to me that this story begins with Carolyn looking over “strange, alien” hieroglyphics and declaring that “It makes no sense!” just as Nathaniel Ward did.

Carolyn, however, is not in a deep and long-forgotten tomb in Egypt, but in her own home at Collinwood. She is making subtle changes to the hieroglyphs as transcribed in the notes of some person as yet unnamed, and is terrified that that person will come in and discover her before she finishes.

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CD Review: Imprisoned with the Pharaohs

Harry Houdini and Charlie TowerImprisoned with the Pharaohs (a.k.a. Under the Pyramids) was H.P. Lovecraft’s first collaboration with Harry Houdini; the serialized story was ghost-written for Weird Tales magazine in 1924 as a first-person account of an experience the great escape artist is supposed to have had one night while touring Egypt.

The story is online at http://www.hplovecraft.com/writings/texts/fiction/up.aspx 

The Dark Adventure Radio Theatre version is fairly faithful to Houdini’s adventure, but adds some elements that seem to me to improve the story. First, a reason is given for the events that take place. Second, additional characters are introduced to give Houdini someone to interact with.

In the original story, Houdini often refers to “we” and “us” as he describes his travels in  Egypt, but it often isn’t clear who is with him on his tour. Is it his wife? Other tourists in their party? Some Egyptian guys? Here, “we” is primarily Bess Houdini, Harry’s wife, voiced by Leslie Baldwin and given a distinct voice of her own. The Houdini’s relationship and interactions are some of the best parts at the beginning of this audio play–Bess’s practicality balances Harry’s impetuous and thrill-seeking nature, yet they are both at heart show-biz people.

The other new character is an HPLHS creation who shows up in a lot of these Dark Adventure Radio Theatre adaptations, and whom I’m always happy to see more of: Miskatonic University professor of archaeology, Nathaniel Ward (Andrew Leman).

The audio drama begins at the American Cosmograph Theater in Cairo. We’re presented with brief snippets that give us a medley of the kind of thing you’d get in pre-WWI Vaudeville: song and dance acts, trained dogs, jugglers, comedians, a ventriloquist, a hypnotist, and finally the big draw of the night–The Great Houdini!

Imprisoned with the Pharoahs props Continue reading “CD Review: Imprisoned with the Pharaohs”