I won’t have time to review the full set of The Paternoster Gang: Heritage 4 before the holidays, but the story on the first CD is a Christmas tale so I’ve decided to do it separately and save the rest for later.
This story sees the return of a character from the classic Doctor Who era: that late-Victorian music hall impresario, Henry Gordon Jago.
Jago (Christopher Benjamin) first appeared in the 1977 4th Doctor’s story, “The Talons of Weng-Chiang,” in which he and Professor Litefoot (Trevor Baxter) assisted the Doctor in investigating the strange disappearances of several young women in the Limehouse streets in the vicinity Jago’s theatre. The two made an amusing double act, and there were jokes about a Jago and Litefoot spinoff–which never came to be on television, but did much later become a popular audio series on Big Finish. Jago and Litefoot continued their adventures in Victorian London long after the Doctor had gone on his way. The series only ended when Trevor Baxter passed on.
As this story begins, we learn that Mr. Jago is already acquainted with the Paternoster Gang. He’s on his own this holiday season, since his friend Prof. Litefoot is spending the winter in Egypt, and he’s on friendly enough terms with the Paternosters that they invite him to join them for a Christmas Eve tea.
But before tea-time, Jago–who happens to be dressed like Father Christmas when he calls at Paternoster Row–has a charitable act to perform. He intends to put on a magic show for the entertainment of the children at an orphanage and needs some specially impressive new magic tricks or illusions to use.
Strax helps out by taking him to Old Smallpiece’s Emporium. The entirely dubious Old Smallpiece happens to be the Sontaran’s favorite underworld informant, as well as a merchant of alien artefacts that are out of place in London in the 1890s.
While Mr. Jago is “well versed in alien matters,” because of his work with Prof. Litefoot, he seems rather naïve as he chooses a magician’s wand and the Top Hat of Surprise (or a “a short-range transmat,” as Strax identifies the latter).