Excerpts from “The Wizard’s Son”

Orlan’s first night at his father’s castle:
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That night, Orlan was put to bed in a small chamber near his father’s apartment. He woke later in strange darkness. Nothing was as it ought to be. The bed was too large and when he reached out he found nothing but cold sheets around him. He was used to sleeping at someone’s side. Where was Ellan? Where was Mama? Tonight, for the first time, he was alone. “Mama?”

With a sudden throb of renewed grief, he realized that his mother was gone. She was not here; he had left her at Lammouthe, a hundred miles away, and he would never see her again. Vividly, he saw her face again, eyes shut, blonde curls limp on the pillow, lips faintly blue.

Dead. His mother was dead.
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Excerpts from “The Wizard’s Son”

Since I’ve been posting excerpts from the upcoming sequel at http://www.minl.wapshottpress.com, it seemed like a good time to start posting a few excerpts here as well.

To begin at the very beginning…
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The little boy looked up in amazement as hooves clattered on the loose cobbles of the alley and a man in brilliant red rode into the yard. He had never seen such a colorful being before, wrapped from hood to polished heels in a crimson cloak and most wondrous scarlet mantle. A gold talisman glittered upon his brow in the early-morning sunlight. All about the little yard, common folk in home-dyed garb of brown and butternut were out to lift their storefronts and throw rubbish to the gutters, but the boy had forgotten them. He was transfixed by this stranger, who seemed larger to him than all of this small, dirty patch of Lammouthe.

Lammouthe was made up of narrow, tangled streets, mud-daubed buildings around little stone yards, a busy marketplace and a busier port. The boy had never been out of this maze, but at times he would venture to the docks to gape at the tall ships, the mariners who spoke in odd tongues, and the great, greenish-gray ocean, and wonder what was beyond: where did the ships and sea-folk sail to? He heard the names of faraway lands—Persia, Napoli, Arabia, Cathay—and he tried to imagine what they were like, but his imagination would not take him out of the only place he knew. He thought all the world must be like Lammouthe: an endless town by the endless sea.

But as he stared up at this stranger—so tall and handsome, radiant with light and strength—the boy began to believe that there might be other things than brown-garbed shopkeepers and the ever-present stink of fish, things more strange than foreign mariners, more beautiful than the ocean, more wonderful than the tallest ships. Surely this red-robed man must be from the most marvelous place in the world!
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Maiden in Light

The sequel to The Wizard’s Son is expected out in May 2011.

From the back-cover blurb:

“From the top of the gate, Alys smiled down. There was no evidence of evil, yet Laurel felt it. That absence of living energy concealed something grotesque. She shuddered when she met those night eyes, repulsed as she might be by a dead mouse accidentally trod underfoot or a cold, scaly water-thing brushing against her body in a stream. Her nerves thrilled with danger. She’d seen this girl before, watching and smiling secretly. She’d sensed this presence months ago, though she hadn’t understood until now what it was. This was why she had come to New York…”

To see the cover and read the rest of the blurb, go to the sister Web site: http://www.minl.wapshottpress.com.

Another Author Interview

How long did it take to write the book?

“About two years initially, then a few more months for rewrites. The story was originally all in chronological order, but in an effort to shorten it and get to the focus of the plot more quickly, I moved a lot of scenes involving Orlan’s childhood to later sections of the story and made them flashbacks.”

September 1, 2010: Kathryn L. Ramage interview on the Indie Spotlight.

Author Interview

What inspired you to write this book?

“I began working on this novel in grad school, when I was taking courses in Old English and medieval lit. In my first versions of the story, I used a lot of proper names and other words that were a sort of amalgamation of Old or Middle English and medieval French, as if the two countries and their languages had never become separate; the Norman Empire contains both. A lot of that has been edited out since to make the story easier to read, although I’ve tried to keep just a little taste of it in some of the names.”
August 30, 2010: Interview with Kathryn L. Ramage on SellingBooks.com.