The Horror in the Museum was a story that H.P. Lovecraft either co-wrote with Hazel Heald, or ghost-wrote based on an idea of hers (her version of events versus his). It appeared in Weird Tales coincidentally around the same time as the 1933 film Mystery of the Wax Museum came out; the two have similar settings, although the “Horror” is a bit more horrible.
Like The Curse of Yig, this is one of those Lovecraft stories I know that I’ve read, but can’t say I’m extremely familiar with. In some ways, that gives it an advantage over stories like Rats in the Walls or Haunter of the Dark that I practically know by heart; I first listened to this Dark Adventure Radio Theatre audio adaptation without expectations or close comparisons to the original text, although I did give the text a quick refresher read online after listening to it a couple of times.
This adaptation does stay fairly close to the original story, with the addition of one new prominent character and a bit of a twist at the end–neither of which is unusual for Dark Adventure. It also has one or two interesting things to say about achieving immortality through works of art. Not a unique sentiment, but in this particular case…
The audio drama begins with two Americans from Chicago visiting Madame Tussaud’s famous Wax Museum in London. Madame Tussaud’s is not the Museum of the title, where the Horror occurs, but it does introduce our two protagonists to it.
Steven Jones is an entrepreneur looking for a terrific new show to bring to the States. He isn’t very impressed with the historical waxworks he sees, but his publisher friend and potential business financier, Eleanor Patterson*, notices that the queue for the Chambers of Horrors is very long.
Then they see one wax figure that does intrigue: Dr. Dee, advisor to Queen Elizabeth I, astrologer, occultist, and reputed magician. In Lovecrafty circles, Dee is best known for his Latin translation of the Necronomicon. There’s something in the lifelike look and craftsmanship of this particular figure that leads Steven and Eleanor to inquire about the artist. They are given directions to the more obscure waxwork show of one George Rodgers.